“Hippity, Hoppity, Easter’s on Its Way…”

There’s something about eggs.

I don’t know what attracts me to them: their smoothness? their asymmetry? their promise of new life? Something about them seems like Hope to me.

In kidhood, I had a large tin egg illustrated with Peter Cottontail scenes which, with enough rotations of the handcrank, would play a tinny version of “Here Comes Peter Cottontail.” I no longer have the musical oddity, but it comes to mind each Easter.

Last weekend, I happened upon some eggs of a different kind. They’re part of The Fabergé Big Egg Hunt and charity auction in London—grand in scale, unique in design, a few even falling into the “exquisite” category. Each of the 200 eggs was created by an artist, architect, jeweler, or designer to benefit Action for Children and Elephant Family. These eggs, of course, led me to people and places and loveliness that I hadn’t known existed.

Take a gander yourself and see where the eggs take you. (If you’re anywhere in or near London, you must go see them. I’ll be jealous, but that’s okay.)

[Pics from top to bottom: “Caeruleus & The Good Egg” by Rhea Thierstein, and “Pandora” (dinosaur hatchling) by Martin Aveling.]